Forbidden Films (DVD)

Directed by Felix Moeller

Release Year: 2014
Running Time: 94
UPC: 7 38329 23020 3
Color Type: Color and B&W
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Directed by Felix Moeller

1,200 feature films were made in Germany’s Third Reich. According to experts, some 100 of these were blatant Nazi propaganda. Nearly seventy years after the end of the Nazi regime, more than 40 of these films remain under lock and key. Director Felix Moeller (Harlan: In the Shadow of Jew Süss) interviews German film historians, archivists and filmgoers in an investigation of the power, and potential danger, of cinema when used for ideological purposes. Utilizing clips from the films and recorded discussions from public screenings (permitted in Germany in educational contexts) in Munich, Berlin, Paris and Jerusalem, Moeller shows how contentious these 70-year-old films remain, and how propaganda can retain its punch when presented to audiences susceptible to manipulation.

COMPELLING. Fascinating viewing for both film and history buffs.

Timely and even vital...a thoughtful and sensitive addition to the debate surrounding censorship that continues to complicate our ideas concerning freedom and self-expression in the modern world.

Must-see viewing for cinephiles of all persuasions.

A documentary fascinated with and fearful of cinema’s potency.


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'@KinoLorber' on Sep. 28 2021 at 1:03pm
RT' @KLStudioClassic': Coming December 7th!' https://t.co/xybl7MKRzu' Rich and Strange (1931) aka East of Shanghai • Brand New 4K Restoration…
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RT' @hammertonail': Jonathan Marlow (@aliasMarlow) delivers an in-depth review of Bill Morrison's meditative, experimental THE VILLAGE DETECT…
'@KinoLorber' on Sep. 27 2021 at 9:35pm
RT' @decasia': THE VILLAGE DETECTIVE: a song cycle is a "masterful triumph" -' @ThisWeekInNY'. Catch it at' @IFCCenter' until 9/30.' @KinoLorber…'
'@KinoLorber' on Sep. 27 2021 at 9:13pm
RT' @dancindanonfilm': AHED’S KNEE, Nadav Lapid’s screed about an artist’s redemption in a state where art is censored should feel trite and…
'@KinoLorber' on Sep. 27 2021 at 9:13pm
RT' @ME_Says': Nadav Lapid takes a subject as real and dry as censorship and makes an entertaining fable out of it. That’s the power of Ahed’…
'@KinoLorber' on Sep. 27 2021 at 9:10pm
RT' @TheNYFF': “The urgency is essential and a key word in this process.” - Nadav Lapid, tuning in from Paris for the U.S. premiere of AHED’S…
'@KinoLorber' on Sep. 27 2021 at 3:10pm
RT' @KLStudioClassic': Coming December 7th!' https://t.co/asQsKePini' Number Seventeen (1932) • Brand New 4K Restoration by the BFI • NEW Audi…
'@KinoLorber' on Sep. 27 2021 at 2:17pm
RT' @orlamango': Probably the best film I saw for the first time at #TIFF21 this year was AHED'S KNEE, a film that so effectively bottles the…
'@KinoLorber' on Sep. 27 2021 at 2:17pm
RT' @NewYorker': Among the offerings in the New York Film Festival’s first-week premières,' @tnyfrontrow' believes that one stands out for its…
'@KinoLorber' on Sep. 27 2021 at 12:23pm
RT' @Slant_Magazine': THE TOMB OF LIGEIA and THEATER OF BLOOD attest to the freedom Vincent Price enjoyed in pushing potentially ludicrous co…
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