The Forbidden Room (DVD)
Directed by Evan Johnson and Guy Maddin
Also Available On:
iTunes Amazon Google Play Vudu Booking InquiryClara Furey
Louis Negin
Udo Kier
Directed by Guy Maddin and Evan Johnson
Produced by Phoebe Greenberg, Penny Mancuso and Phyllis Laing
Writers Guy Maddin, Kim Morgan, Evan Johnson, Robert Kotyk and John Ashbery
Cinematographers Benjamin Kasulke and Stéphanie Anne Weber Biron
THE FORBIDDEN ROOM is Guy Maddin's ultimate epic phantasmagoria. Honoring classic cinema while electrocuting it with energy, this Russian nesting doll of a film begins (after a prologue on how to take a bath) with the crew of a doomed submarine chewing flapjacks in a desperate attempt to breathe the oxygen within. Suddenly, impossibly, a lost woodsman wanders into their company and tells his tale of escaping from a fearsome clan of cave dwellers. From here, Maddin and co-director Evan Johnson take us high into the air, around the world, and into dreamscapes, spinning tales of amnesia, captivity, deception and murder, skeleton women and vampire bananas. Playing like some glorious meeting between Italo Calvino, Sergei Eisenstein and a perverted six year-old child, THE FORBIDDEN ROOM is Maddin's grand ode to lost cinema. Created with the help of master poet John Ashbery, the film features Mathieu Amalric, Udo Kier, Charlotte Rampling, Geraldine Chaplin, Roy Dupuis, Clara Furey, Louis Negin, Maria de Medeiros, Jacques Nolot, Adele Haenel, Amira Casar and Elina Lowensohn as a cavalcade of misfits, thieves and lovers, all joined in the joyful delirium of the kaleidoscopic viewing experience.
DVD Extras Include:
Audio Commentary with Guy Maddin and Evan Johnson, Booklet with essays by Guy Maddin and Hillary Weston, Endless Ectoloops, Living Posters, Once a Chicken, Trailer
"Defies logical explanation...a collection of scenes and movie cliches reworked with campy exaggeration and absurd, cartoonish twists...using a production design that favors ingenuity and creativity." *** Video Librarian
To read more about Kino Lorber Edu's terms of use and ordering information,
visit Kino Lorber Edu.
Related Products
Utilizing clips from the films and recorded discussions from public screenings (permitted in Germany in educational contexts) in Munich, Berlin, Paris and Jerusalem, Moeller shows how contentious... More
Country: U.S.
Dwain Esper was not only one of the most notorious figures of the exploitation genre (due to his ruthless business practices) he was also its greatest stylist. With an utter disregard for the laws of... More
Country: U.S., U.S.
“She Should’a Said ‘NO’!” stars Lila Leeds as a party girl recruited by a hard-boiled cop to take down the sinister dope-pusher responsible for the addiction and death o... More
Country: U.S., U.S., U.S.
Exploitation films of the 1930s didn’t only warn citizens of the dangers of drugs and venereal disease. The genre brazenly confronted on a wide array of distasteful issues, as evidenced in this... More
Country: U.S., U.S., U.S., U.S.
In the 75 years since its initial release, Kroger Babb’s Mom and Dad has achieved mythical cinematic status. It was a film that, during the height of the Production Code, not only dared to... More
Country: U.S., U.S., U.S., U.S., U.S.
No films better represent the 1970s midnight movie phenomenon as Reefer Madness and Sex Madness: two finger-wagging camp classics that hysterically warned the public of the horrors of marijuana and... More
Country: U.S., U.S., U.S., U.S., U.S., U.S.
Country: U.S., U.S., U.S., U.S., U.S., U.S., U.S.
Los Hermanos Penitentes celebrated Lent by enacting elaborate tableaus of flagellation, self-mutilation, and crucifixion. Envisioning the box-office potential of such a spectacle, cinematographer... More
.jpg)
Country: U.S., U.S., U.S., U.S., U.S., U.S., U.S., Switzerland
<span data-sheets-value="{"1":2,"2":"Weary of repackaging the creaky melodramas of the 1930s and ’40s, exploitation distributors in the 1960s began importing European films, which were more... More
Country: U.S., U.S., U.S., U.S., U.S., U.S., U.S., Switzerland, U.S.
In an unusual reversal of the usual exploitation formula—in which scenes of sex, violence, and drug abuse were wrapped in a dire warning of moral degradation—the nudist film took a more... More
RT' @shivvy': The incredible team at' @kinolorber' is releasing a 4K restoration of Jacques Doillon's brilliant 1996 film PONETTE on Blu-ray as…
RT' @ventura_blvd': my most anticipated release of the year from' @KinoLorber' and' @KLStudioClassic'' https://t.co/OstlK89695'
Thrilled to bring Rosalynde LeBlanc and Tom Hurwitz’s CAN YOU BRING IT to theaters and virtual cinemas this July, a…' https://t.co/gdKjGPpmvn'
RT' @melsil': '.@KinoLorber' scored North American rights to “Can You Bring It: Bill T. Jones and D-Man in the Waters.” ' https://t.co/YzJCCneIT…'
RT' @dance_edit': Distribution company' @KinoLorber' is planning a July theatrical release for the documentary "Can You Bring It: Bill T. Jones…
RT' @allthatisman1': I'm happy today, more' @KinoLorber' dropped by!' https://t.co/UHrg5M6Zh3'
RT' @r_emmet':' @mattzollerseitz' I produced the' @KinoLorber' Blu-ray - was able to get some archival interviews with the director, star, and DP…
RT' @ChazEbert': The new' @KinoLorber' 4K release of Sergio Leone’s 1966 landmark “The Good, the Bad and the Ugly” is among the highlights in' @…'
Alfred Döblin’s classic Weimar novel gets a stunning update in Burhan Qurbani’s BERLIN ALEXANDERPLATZ, now in theat…' https://t.co/WjlAqExy43'
RT' @burn_amb': Finished working earlier than expected, so I'm watching KISS THE BLOOD OFF MY HANDS, an ultra-bleak 1948 noir with an amazing…
General Inquiries
333 W. 39th St., Ste. 503
New York, NY 10018
Tel. (800) 562-3330
Fax. (212) 714-0871
Press & Media
For publicity assistance and press inquiries please contact us by emailing dninh@kinolorber.com or calling 212-629-6880.
Educational
Please visit our educational site at www.KinoLorberEDU.com
For assistance with educational orders, please contact us at:
Phone:212-629-6880
Fax: 212-714-0871
email: edu@kinolorber.com
