Westfront 1918
Directed by G. W. Pabst
Year: 1930
Running Time: 97
Color Type: B&W
Aspect Ratio: 1.33:1
Country: Germany
Language: German with English Subtitles [audio]
Genres: War
Westfront 1918
Crew
Directed by G. W. PabstThis shattering portrayal of life in the trenches in WWI was Pabst's first sound film.
'@KinoLorber' on Sep. 27 2021 at 9:35pm
RT' @hammertonail': Jonathan Marlow (@aliasMarlow) delivers an in-depth review of Bill Morrison's meditative, experimental THE VILLAGE DETECT…
RT' @hammertonail': Jonathan Marlow (@aliasMarlow) delivers an in-depth review of Bill Morrison's meditative, experimental THE VILLAGE DETECT…
'@KinoLorber' on Sep. 27 2021 at 9:35pm
RT' @decasia': THE VILLAGE DETECTIVE: a song cycle is a "masterful triumph" -' @ThisWeekInNY'. Catch it at' @IFCCenter' until 9/30.' @KinoLorber…'
RT' @decasia': THE VILLAGE DETECTIVE: a song cycle is a "masterful triumph" -' @ThisWeekInNY'. Catch it at' @IFCCenter' until 9/30.' @KinoLorber…'
'@KinoLorber' on Sep. 27 2021 at 9:13pm
RT' @dancindanonfilm': AHED’S KNEE, Nadav Lapid’s screed about an artist’s redemption in a state where art is censored should feel trite and…
RT' @dancindanonfilm': AHED’S KNEE, Nadav Lapid’s screed about an artist’s redemption in a state where art is censored should feel trite and…
'@KinoLorber' on Sep. 27 2021 at 9:13pm
RT' @ME_Says': Nadav Lapid takes a subject as real and dry as censorship and makes an entertaining fable out of it. That’s the power of Ahed’…
RT' @ME_Says': Nadav Lapid takes a subject as real and dry as censorship and makes an entertaining fable out of it. That’s the power of Ahed’…
'@KinoLorber' on Sep. 27 2021 at 9:10pm
RT' @TheNYFF': “The urgency is essential and a key word in this process.” - Nadav Lapid, tuning in from Paris for the U.S. premiere of AHED’S…
RT' @TheNYFF': “The urgency is essential and a key word in this process.” - Nadav Lapid, tuning in from Paris for the U.S. premiere of AHED’S…
'@KinoLorber' on Sep. 27 2021 at 3:10pm
RT' @KLStudioClassic': Coming December 7th!' https://t.co/asQsKePini' Number Seventeen (1932) • Brand New 4K Restoration by the BFI • NEW Audi…
RT' @KLStudioClassic': Coming December 7th!' https://t.co/asQsKePini' Number Seventeen (1932) • Brand New 4K Restoration by the BFI • NEW Audi…
'@KinoLorber' on Sep. 27 2021 at 2:17pm
RT' @orlamango': Probably the best film I saw for the first time at #TIFF21 this year was AHED'S KNEE, a film that so effectively bottles the…
RT' @orlamango': Probably the best film I saw for the first time at #TIFF21 this year was AHED'S KNEE, a film that so effectively bottles the…
'@KinoLorber' on Sep. 27 2021 at 2:17pm
RT' @NewYorker': Among the offerings in the New York Film Festival’s first-week premières,' @tnyfrontrow' believes that one stands out for its…
RT' @NewYorker': Among the offerings in the New York Film Festival’s first-week premières,' @tnyfrontrow' believes that one stands out for its…
'@KinoLorber' on Sep. 27 2021 at 12:23pm
RT' @Slant_Magazine': THE TOMB OF LIGEIA and THEATER OF BLOOD attest to the freedom Vincent Price enjoyed in pushing potentially ludicrous co…
RT' @Slant_Magazine': THE TOMB OF LIGEIA and THEATER OF BLOOD attest to the freedom Vincent Price enjoyed in pushing potentially ludicrous co…
'@KinoLorber' on Sep. 27 2021 at 12:22pm
RT' @bottomofqueue': Thanks,' @KinoLorber', for putting out this glorious cache of Ken Jacobs flicks. My review:' https://t.co/F6BKiYf9Wo' https:…
RT' @bottomofqueue': Thanks,' @KinoLorber', for putting out this glorious cache of Ken Jacobs flicks. My review:' https://t.co/F6BKiYf9Wo' https:…
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