Robot Stories
Directed by Greg Pak
Robot Stories
Sab Shimono
Tamlyn Tomita
Greg Pak
Composed by Rick Knutsen
Directed by Greg Pak
Greg Pak's Robot Stories is science fiction with a heart, a film that sensitively and intelligently maps an emotional frontier where people confront technology. Through four "impeccably staged and acted" (Hollywood Reporter) stories, "in less than 90 minutes Robot Stories says more about humanity's relationship to machines than the entire Matrix trilogy" (St. Louis Dispatch).
Robot Stories' four chapters, each "stunningly executed in its own right" (SF Bay Guardian), spans a symbolic lifetime stretching from childhood to maturity. "My Robot Baby" is a social satire that "gets the feeling of new motherhood exactly right" (Austin Chronicle) as a busy couple is challenged to nurture a mechanical infant before they can have the real thing. In "one of the most moving pieces I've seen all year" (John Petrakis, Chicago Tribune), a mother's quest to connect with her comatose son transforms her into "The Robot Fixer." Framed within an office jungle yielding "one of the most disturbing images in modern sci-fi cinema" (New York Press), android iPerson Archie (writer/director Pak) questions whether romance can flower between synthetic hearts in "Robot Love." Finally, a sculptor in the lonely twilight of his life must weigh the ethical and spiritual risks of digital immortality in "Clay."
Though hailed as "a great science fiction movie" (New York Press), Robot Stories is light-years ahead of most contemporary sci-fi pictures. By investing Robot Stories with "a dexterous sense of wonder" (The New York Times) and substituting imagination and compassion for a blockbuster budget, "uncannily assured visual storyteller" (The Village Voice) Greg Pak has created a film that's a genuinely stirring indie rarity" (Voice).
Reviews
- "Extremely great" -- Harry Knowles, Aintitcool News
- "A quietly impassioned, genuinely stirring indie rarity." -- Mark Halcomb, The Village Voice
- "Creepy and intriguing" -- The San Francisco Examiner
- "4 1/2 Stars -- One of the most moving pieces I've seen all year" -- John Petrakis, The Chicago Tribune
Awards
RT' @MovingImageNYC': This selection from' @KinoLorber's' forthcoming collection "Cinema’s First Nasty Women" features 11 restored and newly sc…
Aly Muritiba’s PRIVATE DESERT is a journey of the heart and a triumphant affirmation of queer love and humanity. O…' https://t.co/5fP7yVGWoZ'
RT' @GeekVibesNation': 'Apples' Blu-Ray Review - A Surreal & Inventive Look At Memory And Society' https://t.co/jLeuuTuYwy'' https://t.co/7CbzHf…'
RT' @TorontoArabFilm': Raffle time 🎈 We're delighted to partner with' @KinoLorber' for this giveaway: 🍿 2 tickets for each screening of Costa…
RT' @TheMyrka': So, I think I may have just been to see one of my favourite films of the past 20 years - Neptune Frost is a winner baby #nzif…
RT' @jossdotjpg': Last night we got to see NEPTUNE FROST, a stunning and compelling Afro-futurist sci-fi musical unlike anything I've seen (o…
RT' @_callumknight': Neptune Frost is the kind of film that hooks your soul from the very first shot and never lets go. Unapologetically Indi…
RT' @HotDocsCinema': When it comes to docs, it doesn't get much more intimate than this 🌷 Screening in-Cinema on August 12 & 13 (Internation…
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