The Son of the Sheik

Directed by George Fitzmaurice

Year: 1926
Running Time: 68
Color Type: B&W
Aspect Ratio: 1.33:1
Country: U.S.
Language: English intertitles
Genres: Silent
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The Son of the Sheik

Cast
Rudolph Valentino
Vilma Banky
George Fawcett

Crew
Directed by George Fitzmaurice


In this visually intoxicating sequel to Valentino's career-defining film The Sheik, the silent screen's greatest lover portrays a cultured yet untamed young man who is lured into a thieve's trap by  a beautiful dancer, Yasmin (Vilma Banky). After escaping, he kidnaps the damsel and holds her captive in his desert lair, dressing her in Arabian finery and threatening to unleash his violent passion upon her. Exotic romance saturates every frame of this Orientalist epic; its sadomoasochistic fantasies are acted out against the lavish set design of William Cameron Menzies (The Thief of Bagdad) and lushly photographed by George Barnes (Sadie Thompson). The Son of the Sheik proved to be Valentino's final film. He died suddenly on August 23rd, 1926 at the age of 31, just before the picture's release. This edition is mastered from the best surviving 35mm elements and features a dazzling score by Alloy Orchestra.

Interested in bringing The Son of the Sheik to your school or library? If you'd like to have an in-class viewing, on-campus screening, or purchase the DVD for your library's collection, please contact Estelle Grosso at EDU@kinolorber.com or call (212) 629-6880 with your request.

The Son of the Sheik may also be available with Public Performance Rights (PPR) and Digital Site Licensing (DSL) for colleges and universities. To purchase the DVD with PPR or DSL, please contact Estelle Grosso at EDU@kinolorber.com or call (212) 629-6880. Click here to learn more at Kino Lorber Edu.

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'@KinoLorber' on Mar. 25 2019 at 2:00pm
RT' @austinfilm': Filmed in the dancehall scene of late 70s London, BABYLON follows a young DJ in pursuit of his musical ambitions.' @KinoLorb…'
'@KinoLorber' on Mar. 25 2019 at 1:59pm
@saharvey2 Bi Gan talks a bit about his choice of titles for his films in this' @FilmComment' piece (2nd to last para…' https://t.co/q0VfQPVFVb'
'@KinoLorber' on Mar. 24 2019 at 11:29am
"Part loopily queer sci-fi thriller, part faux-naive political rallying cry, glued together with candyfloss clouds…' https://t.co/qlPdo7mJFR'
'@KinoLorber' on Mar. 23 2019 at 11:33pm
RT' @USoldierFilm': Great review on' @theartsstl': ’Unknown Soldier does not sugar-coat the grind of this kind of warfare, nor the inevitable l…
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Thrilled that titles from our library will be included in the' @criterionchannl'. Sign up by April 7 for an extended…' https://t.co/t5dA5ZZfOj'
'@KinoLorber' on Mar. 23 2019 at 12:12pm
RT' @Lilfilm': Finally watched this masterpiece. The US title is Going Places (1974). Gérard Depardieu’s breakout. If you watch please ignore…
'@KinoLorber' on Mar. 23 2019 at 9:51am
RT' @Criterion': The' @criterionchannl' launches on April 8, and we’re so excited to share our first month’s lineup! Take a look at what we've…
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RT' @EloiseLoRoss': Getting ready to record commentary for this tonight, for' @KinoLorber', with' @LeeGambin'! So much good stuff.' https://t.co/n…'
'@KinoLorber' on Mar. 22 2019 at 5:34pm
RT' @3xchair': Sidney Lumet's 1966 film of Mary McCarthy's The Group is Better-Than #CaptainMarvel. Watch the dvd. Thanks for the restoration…
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RT' @ralver': ENTERTAINMENT leaves' @netflix' March 24th. Tell friends and family to catch it before it’s gone forever.' https://t.co/o4TIfN6aNe'
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