Directed by Peter Hall
Produced by Ely Landau
Directed by Peter Hall
In North London, an all-male beehive of inactivity is ruled with a foul mouth and an iron hand by the abusive Max (Paul Rogers) and his brother, the priggish palace eunuch Sam (Cyril Cusack). Rounding out the precision vulgarity of The Homecoming's "situation tragedy" are the sons, punch-drunk demolition man Joey (Terence Rigby) and the magnificient Ian Holm (Lord of the Rings, The Sweet Hereafter) as pimp-smart Lenny. When, under cover of darkness, the prodigal son Teddy (Michael Jayston) brings his wife Ruth (Vivien Merchant) home to meet his family for the first time, he gets far more and less than he bargained for. To Teddy's rueful discomfort, Ruth's Mona Lisa smile forms the gateway to a labyrinth of Freudian dread, venal family values, and naked neediness that could only come from the mind of Harold Pinter.
Director Sir Peter hall re-renders his original Royal Shakespeare Company London stage triumph as a bleached, claustrophobic delirium that exploits the jagged tempos and seductive tensions of Pinter's best play as no theater staging could. The New York Times declared the American Film Theatre's production of The Homecoming, "a movie of astonishing dynamism." Indeed, director Atom Agoyan (The Sweet Hereafter) went so far as to say, "I often find myself seeking solace from this film. Its poetry and twisted sense of compassion and humor have assuaged many moments of despair and confusion. Other people have religion, I have my copy of The Homecoming."
"The Homecoming almost cried out to be filmed and the AFT has come through." - Roger Ebert, The Chicago Sun-Times
Click here to learn more at Kino Lorber Edu. Interested in bringing The Homecoming to your school or library? If you'd like to have an in-class viewing, on-campus screening, or purchase the DVD for your library's collection, please visit our site or contact Estelle Grosso at EDU@kinolorber.com or call (212) 629-6880 with your request.
RT' @zeitgeistfilms': '.@DailyGrindhouse' interviewed the filmmakers of M.C. ESCHER: JOURNEY TO INFINITY about how they got' @StephenFry' to narr…
RT' @RollingStone': Shatara Michelle Ford’s 'Test Pattern' is stunning in its examination of blackness, whiteness, and gender. Read our revie…
RT' @JustTheDiscsPod': #BlurayDeals -' @KinoLorber' titles for $13.99 each (44% OFF): SOLDIER BLUE:' https://t.co/kVmIzoVdMs' CANYON PASSAGE: htt…
RT' @themovieisle': Our Bob Hope triple feature continues with' @KinoLorber/@KLStudioClassic's' Blu-Ray for the highly influential Nothing but…
“An important record showing the strength of the American people's opposition to the Vietnam War.” –' @JenniferMerin…'' https://t.co/k26CeBQzlu'
Gorgeous review of Shatara Michelle Ford's "brilliant first feature" TEST PATTERN from' @tnyfrontrow' of' @NewYorker',…' https://t.co/WDgwVbpDaP'
RT' @SorayaMcDonald': A beautiful review of a film I have not been able to shut up about since the moment I saw it' https://t.co/Rn5ONUQxHP'
RT' @KLStudioClassic': Coming June 15th! Body Slam (1986) • Brand New HD Master from a 2K scan of the Interpositive • NEW Interview with Act…
RT' @Under_Radar_Mag': Here’s our take on the 1972 William Greaves film “Nationtime,” reissued on Kino Lorber (@KinoLorber). “Anyone wanting…
Inquiries & Press
333 W. 39th St., Ste. 503
New York, NY 10018
Tel. (800) 562-3330
Fax. (212) 714-0871
Press & Media
For publicity assistance and press inquiries please contact us by emailing firstname.lastname@example.org or calling 212-629-6880.