The Asphyx

Directed by Peter Newbrook

Year: 1973
Running Time: 98
Color Type: Color
Aspect Ratio: 2.35:1
Country: U.K.
Language: English [audio]
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The Asphyx

Cast
Jane Lapotaire
Robert Stephens
Robert Powell
Ralph Arliss
Alex Scott

Crew
Cinematographer Freddie Young
Writers Brian Comport (Screenplay) , Christina Beers (Story) and Laurence Beers (Story)
Composed by Bill McGuffie
Produced by John Brittany
Directed by Peter Newbrook


Blending elements of Gothic horror with the more contemporary ingredients of steampunk, THE ASPHYX has emerged from obscurity to become a cult favorite of the sci-fi/fantasy genre. Utilizing an experimental photographic device, a scientist (Robert Stephens) captures what appears to be the image of the Asphyx—the ancient Greek spirit of the dead. With the help of his adopted son (Robert Powell), he conducts further experiments and conceives of a way to harness the Asphyx and thereby gain immortality. But, as every visionary scientist should know, defying the laws of the natural and spiritual world unleashes dreadful consequences.

This reconstruction of the extended version of The Asphyx blends HD footage mastered from the 35mm negative with SD footage mastered from a U.S. release print (of inferior quality). As a result, significant shifts in image quality will occur.

Awards

  • Cinematography by 3-Time Academy Award® Winner� Freddie Young

    � Lawrence of Arabia (1962), Doctor Zhivago (1965), Ryan’s Daughter (1970)

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Interested in bringing The Asphyx to your school or library? If you'd like to have an in-class viewing, on-campus screening, or purchase the DVD for your library's collection, please contact Estelle Grosso at EDU@kinolorber.com or call (212) 629-6880 with your request.

The Asphyx may also be available with Public Performance Rights (PPR) and Digital Site Licensing (DSL) for colleges and universities. To purchase the DVD with PPR or DSL, please contact Estelle Grosso at EDU@kinolorber.com or call (212) 629-6880. Click here to learn more at Kino Lorber Edu.

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'@KinoLorber' on Mar. 26 2019 at 2:25pm
THE CHAMBERMAID by Lila Avilés is one of' @nytimes'' must-sees at New Directors/New Films! A. O. Scott observes: "The…' https://t.co/KXKwnW0AOH'
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RT' @anthropocene': With September only 6 months away, we can't help but get excited about the US theatrical release of ANTHROPOCENE: The Hum…
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'@KinoLorber' on Mar. 25 2019 at 2:00pm
RT' @austinfilm': Filmed in the dancehall scene of late 70s London, BABYLON follows a young DJ in pursuit of his musical ambitions.' @KinoLorb…'
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@saharvey2 Bi Gan talks a bit about his choice of titles for his films in this' @FilmComment' piece (2nd to last para…' https://t.co/q0VfQPVFVb'
'@KinoLorber' on Mar. 24 2019 at 11:29am
"Part loopily queer sci-fi thriller, part faux-naive political rallying cry, glued together with candyfloss clouds…' https://t.co/qlPdo7mJFR'
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RT' @USoldierFilm': Great review on' @theartsstl': ’Unknown Soldier does not sugar-coat the grind of this kind of warfare, nor the inevitable l…
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'@KinoLorber' on Mar. 23 2019 at 12:12pm
RT' @Lilfilm': Finally watched this masterpiece. The US title is Going Places (1974). Gérard Depardieu’s breakout. If you watch please ignore…
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RT' @Criterion': The' @criterionchannl' launches on April 8, and we’re so excited to share our first month’s lineup! Take a look at what we've…
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