Directed by Kathleen Collins
The inimitable Kathleen Collins' second film tells the story of two remarkable people, married and hurtling toward a crossroads in their lives: Sara Rogers, a Black professor of philosophy, is embarking on an intellectual quest just as her painter husband, Victor, sets off on an exploration of joy. Victor decides to rent a country house away from the city, but the couple’s summer idyll becomes complicated by his involvement with a younger model. One of the very first fictional features by an African-American woman, LOSING GROUND remains a stunning and powerful work of art for being a funny, brilliant, and personal member of indie cinema canon.
RT' @TexasTheatre': Tonight !' @SunsetGunShot'' @RealGDT'' @KinoLorber'' https://t.co/oRpUpIhvwG'
Lensed by Oscar®-nominated cinematographer Phedon Papamichael, Levan Koguashvili's BRIGHTON 4TH was Georgia’s offic…' https://t.co/sp9988f4KK'
RT' @mattfagerholm': My' https://t.co/LVxfHpdhcu' review of Georgian filmmaker Levan Koguashvili’s superb' @Tribeca' prize-winner, “Brighton 4th,…
RT' @gablescinema': "A star vehicle for #LéaSeydoux, whose acting is these days hitting a new level of richness." – Jonathan Romney, Screen D…
RT' @kino_cult': Jonas Govaerts’s CUB (2014) is a dark, bloody, imaginative fairy tale about a camping trip that turns into deadly carnage dr…
RT' @kino_cult': One of the most bizarre films in the living dead craze of the 80s, Jean Rollin’s ZOMBIE LAKE feasts upon the carcasses of a…
RT' @kino_cult': For four outcast teens, summer detention means being assigned to clean their high school after a horrific incident, but they…
“Sneaks up on you stealthily before flooring you with an emotional sucker punch.” –' @mattfagerholm' //' @ebertvoices…'' https://t.co/i9sE3xQsvF'
RT' @Tribeca': Brighton 4th, which premiered as part of the #Tribeca2021 International Narrative Competition, will be available to watch star…
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