La Prisonnière (Woman in Chains)

Gallery director Stanislas Hassler bolsters the development of modern art with his collection of surprising works in all shapes, colours and textures, where ordinary exhibitions turn into media events. His newest acquisition is a sculpture by one Gilbert Moreau, whose wife, Josée, is captivated by Stanislas' stern disposition and fiery appetite. But unbeknownst to her, Stanislas is amassing a new collection of photos of an extremely perverse, disturbed nature.