Hard to be a God (theatrical)

Directed by Aleksei German

Year: 2013
Running Time: 177
Color Type: B&W
Country: Russia
Language: Russian
Booking Inquiry

Hard to be a God (theatrical)

Crew
Directed by Aleksei German (Director )


When legendary Russian auteur Aleksei German died in 2013, he left behind this extraordinary final film, a phantasmagoric adaptation of the revered sci-fi novel by the Strugatsky brothers (authors of the source novel for Tarkovsky's Stalker). Hard to be a God began percolating in German's consciousness in themid-1960s, and would actively consume him for the last 15 years of his life. Hebrought the film close enough to completion for his wife and son to apply thefinishing touches immediately after his passing. Taking place on the planetArkanar, which is in the midst of its own Middle Ages, the film focuses on DonRumata (Leonid Yarmolnik), one of a group of Earth scientists who have beensent to Arkanar with the proviso that they must not interfere in the planet's politicalor historical development. Treated by the planet's natives as a kind of divinity,Don Rumata is both godlike and impotent in the face of its chaos and brutality.

Press Kit

Hi-Res Poster

Hi-Res Images

Trailer Embed Code

Hi-Res Trailer

Join the conversation
'@KinoLorber' on Sep. 27 2021 at 9:35pm
RT' @hammertonail': Jonathan Marlow (@aliasMarlow) delivers an in-depth review of Bill Morrison's meditative, experimental THE VILLAGE DETECT…
'@KinoLorber' on Sep. 27 2021 at 9:35pm
RT' @decasia': THE VILLAGE DETECTIVE: a song cycle is a "masterful triumph" -' @ThisWeekInNY'. Catch it at' @IFCCenter' until 9/30.' @KinoLorber…'
'@KinoLorber' on Sep. 27 2021 at 9:13pm
RT' @dancindanonfilm': AHED’S KNEE, Nadav Lapid’s screed about an artist’s redemption in a state where art is censored should feel trite and…
'@KinoLorber' on Sep. 27 2021 at 9:13pm
RT' @ME_Says': Nadav Lapid takes a subject as real and dry as censorship and makes an entertaining fable out of it. That’s the power of Ahed’…
'@KinoLorber' on Sep. 27 2021 at 9:10pm
RT' @TheNYFF': “The urgency is essential and a key word in this process.” - Nadav Lapid, tuning in from Paris for the U.S. premiere of AHED’S…
'@KinoLorber' on Sep. 27 2021 at 3:10pm
RT' @KLStudioClassic': Coming December 7th!' https://t.co/asQsKePini' Number Seventeen (1932) • Brand New 4K Restoration by the BFI • NEW Audi…
'@KinoLorber' on Sep. 27 2021 at 2:17pm
RT' @orlamango': Probably the best film I saw for the first time at #TIFF21 this year was AHED'S KNEE, a film that so effectively bottles the…
'@KinoLorber' on Sep. 27 2021 at 2:17pm
RT' @NewYorker': Among the offerings in the New York Film Festival’s first-week premières,' @tnyfrontrow' believes that one stands out for its…
'@KinoLorber' on Sep. 27 2021 at 12:23pm
RT' @Slant_Magazine': THE TOMB OF LIGEIA and THEATER OF BLOOD attest to the freedom Vincent Price enjoyed in pushing potentially ludicrous co…
'@KinoLorber' on Sep. 27 2021 at 12:22pm
RT' @bottomofqueue': Thanks,' @KinoLorber', for putting out this glorious cache of Ken Jacobs flicks. My review:' https://t.co/F6BKiYf9Wo' https:…
Tweet Now!

Inquiries & Press

General Inquiries

Kino Lorber, Inc.
333 W. 39th St., Ste. 503
New York, NY 10018
Tel. (212) 629-6880
Tel. (800) 562-3330
Fax. (212) 714-0871

Press & Media

For publicity assistance and press inquiries please contact us by emailing dninh@kinolorber.com or calling 212-629-6880.

Educational

Please visit our educational site at www.KinoLorberEDU.com

For assistance with educational orders, please contact us at:

Phone:212-629-6880
Fax: 212-714-0871
Email: edu@kinolorber.com