David Holzman's Diary
Directed by Jim McBride
David Holzman's Diary
David Holzman's Diary is one of the most influential films of the 1960s, an "ingenious puzzle movie" (Dave Kehr, Chicago Reader) that charts the self-destruction of a media-saturated youth.
As news from the Vietnam War and social unrest blares over the radio, David Holzman (L.M. Kit Carson) unloads comic-neurotic monologues to his 16mm camera. When his relationship with Penny (Eileen Dietz) goes south, he retreats further into moving images, secretly recording his pretty neighbor and even turning his lens to the TV shows he watches. No longer able to deal with life outside celluloid, all of his ties to the real world begin to erode.
The "totally delightful satire" (NY Times) of a narcissistic artist is also a well-crafted fiction about the deceptions of cinematic illusionism. Early on, Holzman quotes Jean-Luc Godard's famous dictum that "the cinema is truth 24 frames-per-second." As director Jim McBride teaches and Holzman soon learns, it lies just as often.
"A landmark in independent filmmaking that feels as fresh as ever." - Cinematheque
"A delightful satire...time has served it very well." - The New York Times
"An enduring delight from the underground era." - Time Out
Inducted in 1991 to the National Film Registry
Official Selection Berlinale
Interested in bringing David Holzman's Diary to your school or library? If you'd like to have an in-class viewing, on-campus screening, or purchase the DVD for your library's collection, please contact Estelle Grosso at EDU@kinolorber.com or call (212) 629-6880 with your request.
David Holzman's Diary may also be available with Public Performance Rights (PPR) and Digital Site Licensing (DSL) for colleges and universities. To purchase the DVD with PPR or DSL, please contact Estelle Grosso at EDU@kinolorber.com or call (212) 629-6880. Click here to learn more at Kino Lorber Edu.
RT' @austinfilm': Filmed in the dancehall scene of late 70s London, BABYLON follows a young DJ in pursuit of his musical ambitions.' @KinoLorb…'
@saharvey2 Bi Gan talks a bit about his choice of titles for his films in this' @FilmComment' piece (2nd to last para…' https://t.co/q0VfQPVFVb'
"Part loopily queer sci-fi thriller, part faux-naive political rallying cry, glued together with candyfloss clouds…' https://t.co/qlPdo7mJFR'
RT' @USoldierFilm': Great review on' @theartsstl': ’Unknown Soldier does not sugar-coat the grind of this kind of warfare, nor the inevitable l…
Thrilled that titles from our library will be included in the' @criterionchannl'. Sign up by April 7 for an extended…' https://t.co/t5dA5ZZfOj'
RT' @Lilfilm': Finally watched this masterpiece. The US title is Going Places (1974). Gérard Depardieu’s breakout. If you watch please ignore…
RT' @Criterion': The' @criterionchannl' launches on April 8, and we’re so excited to share our first month’s lineup! Take a look at what we've…
RT' @EloiseLoRoss': Getting ready to record commentary for this tonight, for' @KinoLorber', with' @LeeGambin'! So much good stuff.' https://t.co/n…'
RT' @3xchair': Sidney Lumet's 1966 film of Mary McCarthy's The Group is Better-Than #CaptainMarvel. Watch the dvd. Thanks for the restoration…
Inquiries & Press
333 W. 39th St., Ste. 503
New York, NY 10018
Tel. (800) 562-3330
Fax. (212) 714-0871
Press & Media
For publicity assistance and press inquiries please contact us by emailing email@example.com or calling 212-629-6880.