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Seven Chances (Ultimate Edition)

Buy DVD $29.95 $22.46 (25% off)

(only ships to USA/Canada)

Buy Blu-Ray $34.95 $26.21 (25% off)

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Director : Buster Keaton
Starring: Buster Keaton, Ruth Dwyer, Snitz Edwards
Country : U.S.
Genre s : Blu-ray, Buster Keaton, Comedy, Silent
Type: Color and B&W
Year: 1925
Language: Silent with English intertitles
Length: 56
Aspect Ratio: 1.33:1

SYNOPSIS

This dazzling comedy showcases Keaton’s genius for super-sized slapstick as it tells the story of an eligible young bachelor who must marry by 7:00 p.m. in order to receive a $7 million inheritance. After bungling a proposal to his longtime sweetheart (Ruth Dwyer), Jimmie (Keaton) embarks on a desperate quest for a bride. He experiences a hilarious series of rejections, until a newspaper announcement of Jimmie’s predicament provides him with more fiancées than he can handle, setting in motion the most epic and surreal chase sequence of Keaton’s career.

DVD Features

  • Audio commentary and conversation by film historians Ken Gordon and Bruce Lawton
  • Brideless Groom (1947, 17 min.), a Three Stooges short that recycles the premise of Seven Chances, co-written by Keaton collaborator Clyde Bruckman
  • How a French Nobleman Got a Wife Through the New York Herald Personal Columns, a 1904 Edison short directed by Edwin S. Porter
  • Visual essay on the film’s locations, by Silent Echoes author John Bengtson
  • Analysis of the Technicolor sequence by film historian Eric Grayson
  • Gallery of production stills
  • Music arranged and conducted by Robert Israel, in 2.0 stereo and 5.1 surround

Blu-ray Features

  • Audio commentary and conversation by film historians Ken Gordon and Bruce Lawton
  • Brideless Groom (1947, 17 min.), a Three Stooges short that recycles the premise of Seven Chances, co-written by Keaton collaborator Clyde Bruckman
  • How a French Nobleman Got a Wife Through the New York Herald Personal Columns, a 1904 Edison short directed by Edwin S. Porter
  • Visual essay on the film’s locations, by Silent Echoes author John Bengtson
  • Analysis of the Technicolor sequence by film historian Eric Grayson
  • Gallery of production stills
  • Music arranged and conducted by Robert Israel, in 2.0 stereo and DTS-HD Master Audio 5.1

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